Here it is, the 50th post to my blog. I wish some of my previous posts could have been longer, but alas, they are posts none the less. What I can bring you today is this link right here...
The Game Haven
So, a local gaming shop/ comic shop called "The Game Haven," that's right around the corner from me, just recently had their website redone; and in an attempt to bring more traffic to the site, they asked me and a few other guys to write reviews for comics that might inspire people to swing by the shop for a good time (get your minds out of the gutter, it's not that kind of "Good Time.") So, I agreed to write a few reviews while they get some of the other features of the site up and running, and eventually people will be able to purchase Magic: The Gathering trading cards from their site. I think this venture could turn out to be a really big deal. I am pleased to inform you that I already have a couple of comic reviews up for your viewing pleasure. Mind you, that so far I have reviewed some fairly main stream comic titles thus far, but I may venture into some older trades that I feel are note worthy in the future.
I hope all of my readers take 2 minutes out of there day to head to "The Game Haven" website and check out the reviews and let me, and my fellow reviewers, know how we are doing. And, as always, if you know of a book you feel should be reviewed, just send me a message. Until next time.
Wednesday, March 19, 2014
Saturday, March 8, 2014
Radio Interview at WSU
Here is a link to the interview my team and I did at the local radio station at Wright State University. Compliments of my friend, Alexander Kinkade. Enjoy.
http://www.mixcloud.com/ak1bigal/comic-book-league-1-first-public-appearance/
http://www.mixcloud.com/ak1bigal/comic-book-league-1-first-public-appearance/
Tuesday, January 21, 2014
The things we leave behind...
I know its been a while since I made a post and I wish I had a better excuse than school and work, but honestly, if someone wants to do something, they will find the time to do it. With that said, things have been going very well for me recently. Last August I got a new job working in a call center, and one of the major benefits to it, other than not having to look a customer in the eye when you tell them their package isn't going to make it in time for Christmas, is the rewarding social skills. Yes, believe it or not, when you put all the visual insecurities of human interaction to the side, most people tend to come out of their shells and talk with you as if they have known you their whole life; of course they may be sweet talking you because, working in a call center, we have all the power on our side (of course we never abuse that...).
So, why am I telling you about my job? Well, I can honestly say that this last 5 months I have been really blessed. My finances are growing, my relationship has just his the 2 year dating mark with my girlfriend, Mandi, and the Comic Book League organization I represent at Wright State University is entering its second second semester. For those that know me, they know that comic books and writing have been a passion in my life for quite some time now. My hope is to turn Angelicomics into my own publishing company, but until that day, I make due with what I can with exterior resources to fuel my projects. For anyone who is interested in making a splash in any career, the first thing they need to understand is that a big part of success is all about who you know.
(Cross stitch courtesy of Mandilyn Horton)
I knew what I was getting myself into when I decided to President and facilitate for our meetings. It would take time, money (out of pocket) and the will to continue to do it, even if there were only one or two people who showed up. To my surprise, we have had a fairly consistent group of people coming to each of our meetings. Some nights were better than others, but there has been so much I have learned from this group over the past 6 months about being a leader. Being a leader to me, means being able to make tough decisions and the biggest sacrifice for the benefit of the group. Not to toot my own horn, but even when I didn't feel like going, I knew I had to. This was a commitment I made, not only to myself, but to those willing to show up each week. At times it was frustrating, because I knew that not everyone was there to learn about comics, but they were there for the community we brought to the campus; and I can appreciate that.
(Comic Book League's final meeting of first semester)
In order to solve this problem, I implemented an auction. By doing things each week, such as, going to a comic shop, giving a review of a comic they read or even donated money for prizes, I would award auction points for them to bid on prizes. What this allowed was a way for people who actually wanted prizes to bid on them, and it also helps relieve some of the expenses for those prizes. So far this new addition has been fun and refreshing.
Being the President requires a lot of responsibility and sometimes there is a lot of regret for mistakes if something goes wrong. Thankfully nothing bad has really happened, other than the night we were going to talk about conventions and cosplay, (big mistake on my part). But, since I started this organization, so many good things have happened for me, and I feel will continue to help me in my pursuit of a career in the comic book industry.
Last semester I was asked to open a panel discussion, of which Mark Waid was in attendance, on who the X-Men were. I've made new connections with the owners of both Gem City Comic Con and Champion City Comic Con, the creators of Twilight Star Studios and Vantage Inhouse Productions. Knowing that I will be graduating in the Fall I have had to start looking at what kind of organization, or legacy if you will, that I would leave behind in the Comic Book League. We have grown so much together as friends and we now have a committee of President, Vice President, Secretary, and Treasurer. These are people who I chose that I felt would best represent us as we continue past the second semester. One of the most important things as a leader is to embrace humility, to know when your time has come to pass the torch and hope that some part of yourself will remain as a memory; perhaps the same can be said about life and death.
Again, I apologize for the long drawn out description of the past few months. On to new news, I am excited to announce that I am currently working on the first script of "Requiem" for it's comic adaptation. I am only about 6 pages in out of a possible 22 page book. I am hoping to have this done by April in time for Gem City Comic Con, to see if there are any interested artists who might want to pick it up. If all goes as planned, possibly by Champion City Comic Con, I may have a first issue for sale. Hopes are high but my schedule is still very busy with school and work. Be sure to look for me at this years Gem City Comic Con, I will be hosting a panel, what topic has still yet to be seen, but I assure you it will be fun, educational and fantastic.
Till next time...
Wednesday, November 27, 2013
"Checkmark"
Hello everyone, and Happy Thanksgiving! Since most of you will have the day off tomorrow and may or may not be watching the football game with a plate of turkey resting comfortably on your chest, I thought it might be nice to post a new short story I recently finished. I have been experimenting with coming up with new characters to introduce to the "Requiem" universe, and in my opinion, a hero is only as good as his villain roster. So, today I introduce the world to Checkmark, a self righteous killer who tattoos his victims with a list, and then proceeds to check those items off the list with his blades. I assure you, no turkey's were harmed in the making of this story. However, I do have a disclaimer that this story, that although an origin for Checkmark, it does get gruesome at times. Writing this story was an experiment for me because I don't normally write in 2nd person POV and I don't know of many stories that take everything away from the reader and force them to sit in place of the victim. I have had some really good feedback about this story, and some really bad feedback just the same; and I hope that since this piece is still in the revision stages that you guys will give me some feedback. Thanks and have a fantastic Turkey Day.
"Checkmark"
by
Christopher A. Kouse
You wake up blindfolded. Your mouth held
closed. After a moment passes you come to the conclusion that your bonds are
made entirely out of duct tape; you would know that rubbery taste anywhere even
if it were coated with sugar; that pungent stench still finds a way to seep
through your nostrils. Your wrists, your ankles, all held firm to the chair.
The texture of the bonds leads you to believe they are from the same material
wrapped around your mouth. A slight pain begins to tingle through the amnesia
in your arms and legs. Even the front of your neck has a slight tickling
sensation that sets you off into borderline madness. The Who’s, What’s, and Where am
I’s are the only thing you have left to call your own-- other than to
listen for the approaching footsteps from beyond the barrier of shrouded sight.
“If you had to, could you recognize
yourself?”
The
blindfold is rushed off of your head with a disregard for comfort. The light
billows down from a single lamp that’s light makes up your world. You notice
that beyond what the light touches there is nothing; only darkness. The hand of
the mysterious speaker reaches out from within the darkness with a gloved, open
palm. Within his hand rests a porcelain mask with the same features of your
face. You immediately recognize this mask as one you created a long time ago,
somewhere, in another time and place. How
did he get his hands on that?
“So,
I see you do recognize yourself. Hard not to, it’s almost an exact likeness. It’s
well made. The work of someone with skilled hands no doubt. However, there is
one flaw,” the speaker turns the mask over to reveal it’s hollowed out self. “It’s
empty.”
With
an effortless and precise twist the hand crushes the mask, allowing the shards,
now covered in blood, to fall to the ground. One by one the tiny orchestra of
bouncing porcelain fragments echoes off of the floor; and in hearing them your
world grows by momentously into the darkness, but only to be twisted with the
maniacal laughter of the figure looming just beyond the shroud.
“Oh,
don’t look so sad. You can always make another one, but still- perfection is
long far off.”
Your
eyes wander away from the hand and look towards the source of the voice; and as
the hand retreats beyond the beam of light and back into the realm of dark, a
face emerges to meet yours. It’s the eyes that first grab your attention;
black, nocturnal, void of emotion-- except that of maybe pleasure. The face is
covered by a thin material; silk perhaps, and although you have no idea of who
is behind this mask, you know exactly who it is, and your hope of getting out
of this alive dissolves within the cold recesses of his eyes.
“I
can hear those cogs turning as loud as church bells in that little head of
yours- at least you’re using it for something other than a…”
You
try to give a rebuttal but the words are swallowed by the gag.
“What’s that?” the figure leans in closer with
one ear as if sarcastically trying to listening. He then sharply pulls away.
Although you can’t see it clearly, you can make out the line of his smiling lips
through the mask.
“No,
you don’t get to speak. You’ve been doing that for years. Your logic has made
me sick and now I have the stage—or at least…”
He
reaches down to your legs which bring attention to the two on your arms and two
on your legs. You can’t see it, but you assume there is a third on your neck
where the pain sensations have been coming from. The figure grabs and quickly
rips the bandages that were wrapped around your legs off. The sharp ripping
sensation exposes the hidden flesh to the pungent air.
The
sharp sudden pain of the adhesive is mild in comparison to what you expect is
to come. You know this creature and the torments he is capable of. In your
thoughts, one word becomes clear to describe this vile person, the only word- Checkmark. You look down; see the
freshly completed work of a master. On your left leg you make out the word Death, and on your right leg it reads the word Experience. Above each word rests the outline of a box looking to
be filled with regret. Immediately, Checkmark lowers his head to your thigh
where he can catch your gaze.
"Beautiful,
isn't it?" His head cradles the leg marked Death and kisses the box through his thin veil with a promiscuous
embrace. He rises from your leg and adjusts his gloves to regain the tight feel
in the fingertips. As he turns from you he walks back into the darkness from
whence he came.
"Your
eyes give you away, you do realize that don't you?" You hear a shuffling
of metal sliding along metal in the darkness. Your heartbeat becomes quicker as
the footsteps begin to pace forward in your direction again. God! Somebody help me.
"God
cannot help you now. This is for your own good and you fear your own death to a
fault. Always wondering when your time will come; could it be today, could it
could be tomorrow- but now I will release you from your burden."
You
are blinded for only a moment by the reflection of the light as it bounces off
the sword. You wince twice, the first time to protect your eyes from the light,
the second, to mask your scream as it is stifled through your gag. You open
your eyes wide to the sound of metal piercing flesh. Your eyes wide and your
heart beating outside of your chest as you feel the cold steel begin to cool
off the meaty interior of your leg.
"You
fear me...although I would too if I were in your position, but you know what I
am capable of; you know who I am and what tonight is all about." Checkmark
slowly twists the blade at an angle and drags it through your flesh. His skill
is perfect and his strength inhuman.
The
pain is only bearable because of your restraints; if not for them you would be
pouncing and kicking and screaming and, Oh
God make it stop! With a tightened grip around the hilt of the blade,
Checkmark removes it oh so delicately from your flesh. You jerk in your bonds
trying to get free, but they are unforgiving, much like your captor. It takes
only a moment for the stinging pain to subside and as you begin to feel the
warm red liquid ooze from your wound, it brings a sense of understanding and
calm washes over you in waves. It’s impossible to make the distinction between
ecstasy and endorphins. You examine the artist’s handiwork for the first time
and it is painfully beautiful. No jagged edges, no flesh missing, just a clean
cut in a perfect V like fashion with one line longer than the other. You tell
yourself the worst is over...isn’t it?
***
An
hour passes; maybe more. Time begins to have no meaning when you lose control.
The slow burn in your left leg where the cut was made just a while ago has
become numb from the loss of blood. Your vision, the only thing that you can
control, begins to deceive you. Left alone with your thoughts, your vivid
imagination about what Checkmark is planning when he comes back sends chills
down your spine. Perhaps he never left.
Between the loss of blood and the constant state of shock you have been in, at
one point in time during the last hour you could have sworn that you saw his
face staring back at you from the darkness. That was the difference between
your world and his, the dark is always more readily, and easily accessible; he
resided within the dark, and it’s always easy to see those in the light when
looking from the shadows.
“…(whistling
your favorite tune)…”
You
hear the slow tapping of shoes touching the floor; the sound moving towards
you. It seems so far away. How big is
this room? Next comes the sound of a slow drag of steel gliding along
concrete. Your breathing begins to increase. The memory of the pain in your leg
begins to return. You know he is coming back and there is nothing you can do to
stop it. You look down at the tattoo marked Experience
on your right leg and wonder what gives him the right to judge. How does he know? The skin under the
bandage on your chest begins to itch again, sure to be the last to be revealed
in this sick and twisted game. What could
I have done to deserve this? You are sure that anyone in your position
would be asking the same question, but instead of an answer, you know that no
one believes that they deserve this kind of punishment, when in fact, maybe…
just maybe they do. Do I?
“Sorry
about the hold up.” Checkmark emerges from the darkness before you. “I hope I
haven’t kept you waiting for long. I know you hate me and believe me I do know; but you can’t really blame me for
showing you the flaws in yourself.”
Checkmark begins to circle you
counterclockwise, still dragging the tip of his sword along the floor. “Tonight
is about a purging of sins,” he comes to a halt behind you. “-and after tonight
you will thank me.” You see the blade come from above your head slowly and rest
its tip in the middle of the square tattoo on your right leg. As the tip
presses ever so lightly on your skin you see a tiny teardrop of crimson roll
down the side of your leg. You know the judgment is coming, and you hold your
breath with quick fleeting hope.
“You lack experience.” Checkmark
begins to tease your skin by turning the blade as if trying to make up his
mind. “What have you done with your life? You have nothing to show for the way
it has been lived so far.” You feel pressure being applied to the blade and
your senses run wild with the loss of control. “You have become content with
your life and that cannot be tolerated.” The blade is surgical this time.
Slowly piercing and twisting. Your eyes roll back in your head as you let out a
moan of agony from behind the gag. The muscles tighten as you try to pull
yourself off of the blade as it is masterfully turned to make the intersecting
point of the checkmark into your flesh.
The blade is slowly pulled from you
and you wish for the numbing sensation that you have in your other leg to set
in quickly. Checkmark rotates your chair to face him and he kneels so that his
eyes meet yours. “You are being such a good sport about this. I know you would
just love to get your hands on me, but really—what would do? Soon you will see
what a great friend you have in me.” You notice a smile form behind his mask
again. A different word comes to your mind other than friend to describe him,
and you convey that message through the look in your eyes. “I can see you need
some time to yourself, but first let me give you something to dwell on.”
Checkmark grabs a hold of both
bandages on your arms and with little effort he rips them from your body. The
pain this time pales in comparison to that which courses through your legs.
Checkmark drops the bandages and slowly walks backwards into the darkness, his
right hand up giving a tiny wave of goodbye. You look down unsurprised to see
two new tattoos; one on your left arm, and the other on your right. Your heart
drops seeing the words Ambition and Responsibility beautifully designed with
two empty square boxes just waiting to be filled. Although you fear what comes
next, the location of the last bandage is still what scares you the most.
***
The coolness and
the drowning sensation of a glass of water being poured onto your head wake you
from the safety of a dream. Waking from a fantasy to a nightmare is the only
comparison you make in this situation. The lack of blood running through your
legs has left them limp and motionless. You realize that even if you were to
manage to get out of this situation, there are no guarantees you would be able
to walk again. Your eyes are blurry from the blood loss and the figure of
Checkmark before you is a skewed one. What
now? The thought runs through your head, what more could he do to you? But,
you know the answers to all of your questions. You even know why you are here.
Some part of you is able to make sense of all of this, and yet even though
futile, you still resist him to the last drop of your essence.
“Still with us I see.” The image of
Checkmark tears through your dilated eyes like removing a pair of prescription
glasses.
“Although, I don’t think you have
much left in you so, I tell you what I am going to do. As much as I have enjoyed
your company, the night is so very young and I have other places to be, more
art to make and other lives to save. So, let’s speed this up.” Checkmark
reaches behind him into the dark. You hear the grinding of steel on concrete
first, and make out the frame of a chair being pulled towards you. The chair
spins effortless on one leg in Checkmark’s hands; and even before the chair
becomes firmly planted, he falls upon its seat, legs spread as his arms rest
upon the top of the high back chair facing you. Your eyes rise to meet his, and
his head turns to meet yours. You let your eyes do the speaking for you.
“Ambition and responsibility,”
Checkmark gives a grunt to acknowledge the heft of those words. “I want you to
understand that it is you that give these words meaning. One person’s flaws are
never the same as another’s. And if you were in my position you would be doing
the same for others who are slaves to themselves. The truth is that people hold
themselves in contempt-“He reaches behind his head with both arms and frees two
blades from their sheaths. “- and I set forth to free them of this
self-loathing nature.”
“Responsibility,” Checkmark aims the
tip of one of his swords at the square box on your upper left arm. “You refuse
to take it. All your life you have failed to live up to your own expectations.
Consistently, you have blamed others for your faults and have refused to take
the responsibility of your actions.” He produces the second blade in his left
hand and points it towards your left arm marked Ambition. “Ambition- you have
none. What a worthless corpse your life has become; an empty shell of regret
that you have allowed to consume your life. What happened to the hopes you had
as a child- what things you could have seen, the places you could have went and
the person you could have become. Let me show you.”
You try pleading a case with
Checkmark with muffled sounds, but he would not hear it. Checkmark rises to his
feet and with one firm kick, he sends the chair he was sitting on flying back
into the dark. Your attention is so focused on the mad man that you almost fail
to notice that there was no loud crash from the chair hitting the floor. With a
single thrust from both of his hands, Checkmark sends the blade perfectly into
each of your arms with such a strong force that your chair tips over and your
head collides with the ground causing you to blackout.
***
Some time passes until you regain
consciousness and it dawns on you that you are sitting upright again and alone.
By the time your eyes readjust, the nerve endings in your arms finally send the
signals of pain into your brain. Looking at both arms you notice a perfect
checkmark shaped sign engraved into each tattoo box. Blood is still seeping
from the wounds, but the initial shock of metal penetrating flesh subsided when
your head slammed into the ground. The ache in the back of your head causes you
to stretch your neck muscles. You are unsure of which was worse, feeling the
slow cuts or dealing with a possible spinal injury.
You notice that the itching just
below your neck is gone and you feel a cool breeze brush past the freshly
exposed area. Reality begins to sink in that the end is coming, and you
struggle to see the tattoo. You know it’s there, it has to be. Why would he do anything different this late
in the game? Anxiously you struggle to twist your head to see, but your
neck isn’t forgiving. It’s a trick; he wants me to go mad. You calm yourself to
make it appear that you aren’t falling into madness. He has to be watching.
Time seems to slow down and you
begin to examine your predicament and all that has happened to you tonight. You
notice the pool of crimson at your feet; it has almost entirely blanketed every
part of the floor that the light touches. Your world is drowning in blood. I deserve this. You struggle to find
some lie in the truth that Checkmark has been preaching tonight, but fail. You
are afraid of death, you do refuse to take responsibility, you do lack experience
and you don’t have any ambition. What is the final piece of the puzzle!
You see a light twinkle within the
darkness. The light appears to be coming closer and as soon as it reaches the
threshold of blood pooled out on the floor, you make the light out to actually
be a mirror. You look into the mirror and your heart drops as you read the
final tattoo inked into your neck; Martyr,
with a square box above it. You feel a vibration run along the back of your
chair and realize that your bonds holding your hands have been severed. Within
seconds you feel the same sensations cut through the tape on your legs, and
they fall free away from the stiff chair. You struggle to reach up to remove
your gag, but your head tilts down to meet your hand half way; and although
hard to move, you remove the remainder of the tape on your wrists and wait for
Checkmark to make himself visible one final time.
***
His voice pierces from the darkness.
“It seems we have a mutual understanding.” You hear him giggle slightly in a
disoriented manor. Checkmark walks into the light and you notice the dark
outfit he wears is now soaked in his own blood and torn in areas. Cuts are in
the form of checkmarks and have been made into his flesh in the exact same way
they were impressed upon you. The tattoos are the same as well. You watch as he
pulls both blades from his back and looks at them for a moment. “I can find no
fault in you for this last test. You cannot force someone to become a martyr.”
He fluidly rotates one of the blades in his hand and presents it to you. You
struggle from your chair and catch yourself a few times from falling. Your hand
reaches out and claims the blade for your own.
Checkmark reaches up with his blood
soaked glove and begins to pull back the mask that shrouds his face. You stand
there and face him, the real Checkmark. It is as if looking into a mirror. His
face is yours, or my face is his. He
presents his chest to you and the tattoo marked Martyr.
“You have a choice. Take my life and
end this momentary torment, or ask me to end your personal hell.”
You consider his words carefully and
search yourself for what you really want. The mark on his chest looks so empty,
and the itch returns on your own chest—an itch needing scratched. You rotate
the blade towards his chest, and Checkmark readies himself for the final blow…
…
…
…
You turn the blade on yourself and
pierce your own chest, squarely center of the empty box marked Martyr.
***
You wake up lying on your bed. The
nightly breeze from the open balcony of your apartment chills the sweat
droplets on your body. You reach up and remove the porcelain mask from your
face and sit up right. Directly ahead of you across the room, past the dark,
lies a mirror staring back. You see the scars of the self-inflicted wounds
within the tattoos marked Death, Responsibility, Experience,
Ambition,
and Martyr.
All filled with perfectly carved checkmarks.
Lying next to you on the bed is your
tattoo kit, on the other side your weapons of choice. You pull the satin mask
over your head, pack up your things and head out into the night searching for
lives to save.
#
Tuesday, October 29, 2013
C4 2013 and Creating Bridges
(Left to Right: Ren McKenzie & Son, Mark Waid, Dustin Carson, Christopher Kouse, Victor Dandridge Jr., Matthew Smith P.H.D.)
(Fanboy Feud: The Waid's vs. The Dandridge's)
Comic books are an art, and somewhere along the line they have been perverted into becoming cash cows; if it's the movies or the cartoons, I really can't say, because I enjoy those too. What I do know is that being able to hang out with good friends, talking with them about what you have a passion for, and being able to pick up some great literature to hold you over for a while is something I really enjoy. At the "Comic Book League" meetings we have at Wright State University each week, I try to make it my goal, as President, to keep our group up to date on local conventions in town. I don't do this to try and make myself look good, or to make someone else get rich; I do it because I know that with the proper motivation and encouragement, each of our members has a talent that is just waiting to be tapped into. But I digress.
(Dustin Carson, author of "No Gods"; Christopher Kouse)
(Victor Dandridge Jr.; Vantage Inhouse Productions; Christopher Kouse)
This past Thursday night, before the con, I was given a great opportunity. Wright State University was hosting an event entitled "X-Men: Overcoming Adversity," and I was asked to give a brief 3-5 minute opening of who the X-Men were. Sounds simple enough right? Ha! In all honesty, I was terrified. Not because my knowledge was flawed, but more so because I am not the best of public speakers. However, I knew I had to do this; this was my foot in the door to promote the "Comic Book League," to make new friends, and top of that, I didn't want to look like an idiot in front of, one of my favorite writers, Mark Waid. I also had two fellow promoters of comics in the classroom on the panel, Christy Blanch and "The Doctor" himself, Matt Smith P.H.D. who probably know more about the X-Men that I ever will. Needless to say, the response I got from everyone about my speech was so encouraging. Before the event I had never met Craig This, the director of the event, but somehow I managed to hit on every topic that he had prepared for the panelists to discuss that night. The pieces fell together and I felt renewed about what I was doing as a writer, and who I wanted to become. I can only hope that once I have more free time to work on my own stories that the people I make as friends now, that are in the comic industry, will be there for me when I decide to make that plunge.
(X-Men: Overcoming Adversity panel)
(The first 17 min of the panel discussion, including my speech)
One final thought; I am sorry my updates have been far and few between lately. I have recently been swamped with work and school. However, I have been reading some pretty awesome stuff lately and look forward to reviewing it all in the coming months. On a positive note, one of my pieces of writing entitled, Jekyll Hyde Banner Hulk was recently published by my school's literary journal, the Nexus. You can read it on this blog or by going clicking HERE. Should you like to follow my work and support me, the best way is to join my facebook group by clicking the icon below. Also, I am always looking for feedback and questions. Thanks.
Wednesday, September 11, 2013
A Literary Analysis on "The Killing Joke"
The
Killing Joke, a Literary Analysis
For this literary analysis I chose to look at The
Killing Joke, written by Alan Moore and Brian Bolland. Out of all the books
I own, my comic book collection makes up at least 75% of it. Out of that 75%, I
can honestly say that The Killing Joke
has drawn my attention more times than most. I am not one to reread novels, and
I find it hard to find one worth reading, especially in this day and age where
everything has a movie behind it. I always find myself watching those movies
and never picking up the book for fear of already knowing the ending; even when
someone says, the book is much better than the film. But that’s never the case
when it comes to comic book adaptations. There are so many variations of my
beloved characters and stories that it’s almost impossible to find a connection
between them and their film correspondents. Better yet, The Killing Joke’s ending always leaves me questioning what happens
after.
People are so quick to
disregard comics as a form of literature, not as often now, but they did even
more so when they weren’t being projected on the silver screen. However, when
we look at the history of the comic book, we can see that they have been deeply
rooted in our culture, and have been the benefactors of many novels we have
today. The Killing Joke was written
in 1988, and this was around the time that comics were taking a drastic
overhaul for a new age of readers. It’s important that Batman was no longer seen
as the detective portrayed by Adam West, but instead he was becoming much
darker and grittier. This was the style of Batman that our generation would
fall in love with and what would separate the darkness of Batman from other
such heroes as Superman and Wonder Woman. Together, these three would make up
the trinity of the DC Comics universe; each acted as a personification that could
cross the lines that the others couldn’t.
The
Killing Joke might not look like such a literary
piece from the outward perspective by reading it once through; honestly, 50
pages of mostly images and very few speech bubbles adds up to about 15 minutes
of reading. However, what is literary about it, are the 150+ pages of
descriptive writing that Alan Moore originally wrote for those images. As a
person who is interested in writing comics for a living, I have to take into
consideration that, although the format is much different than the average
short story or novel, in order to present my images I have to write in such a
way that the artist can visually see every angle of the character in the scene,
I have to describe the lighting, the tone, and present how I want this image to
lead into the next page; in actuality, the artist becomes my reader. Let’s look
at this example of page 5 of The Killing
Joke together in connection with what Alan Moore originally wrote.
“We have now pulled back further into the cell so
that we can see the Batman full figured as he stands facing us in front of the
now-completely-closed door, still with the light behind his head as he stands
with the barred window positioned neatly behind his cowl, throwing his face
into darkness. Right in the foreground of the panel we see part of the surface
of a fold-down card table that has been folded down from the cell wall and is
lit from above by the entrance of an off-panel wall lamp, weak and yellowish
and sickly. Entering the panel over on the right are the hands of the person
who is sitting just off panel in that direction, facing towards the left and
dealing out a hand of patience. The cards, some of which are visible to us
here, are spread out in columns on the small table before him, and he is
systematically picking up cards from the deck laying them down on one of the columns.
Here, we see him with a card poised, about to lay in down on the end row. His
hands have long and clever fingers as they deftly manipulate the cards. They are
also chalk-white and completely drained of any trace of living color. Batman
just stands by the cell door and stares at both us and the off panel owner of
the hands.
(No Dialogue.) (The
Killing Joke script – pg 10)
Now
that we have looked at an example of the correlation between words and images,
we can begin to understand what other aspects of literacy The Killing Joke has to offer us. The next step is to compare how
smoothly scenes in a comic blend into the next. While not as transparent in
other comics as it is in The Killing Joke,
we are able to transition from one scene into the next without confusing the
reader. Let’s look at an example of how this is done in The Killing Joke.”
Notice
how in the last two panels, you have the same elements from the past walking
the reader back into the present. This can be done in the same literary fashion
done in any short story or novel, but most of the time it is done by page
breaks. Throughout the rest of The
Killing Joke, every scene change is done in this similar fashion, although
not all are as easy to spot, and not all are done in a way that is visually
similar; just take a look at this scene for instance.
Their
first encounter is quite smashing, literally. Not only do the images show us
the raw power of Batman and the cowardice of the Joker but it gives us the
impression that the transitions from scene to scene have finally been broken
from this point forward in the story; and it’s not too much of a stretch to say
that we have really been reading two stories all along (but if you include the
Joker’s origin story, it’s really more like three.)
Finally,
we can take a look at spandrels, foreshadowing, and reoccurring themes that
appear in comics. The thing to remember is that when dealing with comics, ‘everything
ever written is a potential spandrel.’ Comics, when written well enough, become
‘cannon,’ or solidified as part of a character’s history. These ‘canonical’ moments
are what flow in between all of the smaller comics and are usually brought up
again at some point of time in the characters history, and most often it occurs
when it’s under the pen of a different author. This is a great tool that comic
writers use in order to keep their readers interested and coming back for more
each month with another publication. When Alan Moore wrote The Killing Joke he was out to write a great story that shared the
origin of the Joker; but from it he also spawned another ripple in the DC universe,
the paralysis of Barbara Gordon. Barbara Gordon, at the time The Killing Joke was written, was the
current Batgirl; but after her encounter with The Joker, she took on the persona of Oracle, a wheel chair bound
computer genius, who eventually trains another Batgirl and creates the team The Birds of Prey. It is hard to say
whether Alan Moore had anticipated that Barbara Gordon would be paralyzed for
as long as she was, but it was only until recent that DC Comics actually
rewound the clock on these stories in the “New 52” comic lineup.
Foreshadowing
and reoccurring themes play a large part in The
Killing Joke. Near the beginning of the book we see Batman, presumably
talking to the Joker, trying to avoid the inevitable.
What
is great about this scene is that, like most of Alan Moore’s work, we see in
the first few pages, the end of our story. This isn’t a bad thing by any means,
it just makes the journey of how we get there all the more memorable; and we
have new appreciation for the methodical nature that the author has for his
work. Here is the final confrontation in comparison to Batman’s, supposed,
first encounter with the Joker.
How
interesting it is that we have a reversal of roles here. Batman, who is never
seen to laugh, is laughing, and it is the Joker who is now on the receiving end
of a violent act. This makes a great twist of an ending that if very important
when making your mark in the literary world; doing the unthinkable. No one
would have ever guessed that Batman would end up doing this to the Joker,
although on page 7 he tells us right away that this story was going to end in
one of two ways, it’s just that we didn’t want to believe that this is how it did end. Not only does
this keep the reader’s attention and on the edge of their seats, but the way it
was executed leaves the reader guessing as to what comes next. Again, this
story is really about the journey and not the beginning or the end, because we
already knew that when started reading.
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